There has never been anything secret about our love for Breezy’s, the coffee-shop turned apartment turned multipurpose art space that spent the summer of 2011 as the undisputed king of New Orleans DIY live music venues. Under the tutelage of talent buyer/promoter Mike Twillman and owner Micah Burns (and with the help of a constantly expanding motley crew of supporters) a deceptively unassuming Freret-area home with a legendary bohemian past felt like the nexus of the city’s burgeoning independent rock explosion, even if only for a brief moment in time.
The building’s crumbling walls and ceiling seemed to be held together by the heavily patinated concert posters, newspaper clippings and photographs that covered them, which gave the venue a strangely imprecise aura that beautifully juxtaposed the fresh and exciting programming it hosted. And whether you credit its easy-going proprietors, the eager young crowds it attracted or diverse music scene it served, Breezy’s grew into an under-the-radar institution unlike many others that came before it or have come since. It seemed exclusive without being exclusionary, underground but also accessible, and outsider without an overt preoccupation with being edgy.
But even after just one visit to the mystical funhouse at the corner of Soniat and LaSalle, anyone would have guessed the days of Breezy’s original spot were numbered. It was just too good, with a mission too pure to exist in a city as corrupt and morally bankrupt as ours. (Also, almost every aspect of the enterprise was probably completely illegal.) So while it only took six months for the powers that be to shutter Breezy’s first incarnation, the quintessentiality of the concept of Breezy’s became apparent almost immediately. After a short but notable stint in a Pigeontown backyard, Twillman and Burns have taken a broad leap towards sustainability by moving Breezy’s underground spirit into a legitimate commercial space: Breezy’s on Freret, in the heart of the revitalized Freret corridor and just blocks from where it all started, is due to open in a matter of weeks.
This Sunday’s afternoon matinee at Mudlark Theater – a cherished DIY institution in its own right – is part of a final push to bring Breezy’s on Freret up to full speed in time for the jam-packed fall concert season. While donations will be accepted at the door, the event’s main goal is to raise awareness of the team’s Kickstarter campaign, which (if successful) will allow the new rock club to open with a professional grade soundsystem in place. Music will be provided by the Breezy’s mainstays of Chinquapin Records and will feature stripped down sets from Habitat‘s Jack Donovan, High In One Eye‘s Andrew Landy and Caddywhompus‘ Chris Rehm plus a promised host of special guests.
Check out our New Orleans Music Calendar for a full slate of constantly updated live picks